Monday 19 January 2015

Great Expectations

Originally a novel by Charles Dickens, Great Expectations is narrated by Philip Pirrip (more commonly known as Pip) who recounts his life story as he grows up and transforms into a young man. He retells of how he met and fell in love with a wealthy but heartless young girl named Estella, and how everything he did was for her, dreaming of becoming wealthy and successful in order to impress her.
Throughout the novel he receives guidance from a crazy old lady called Miss Havisham who raises Estella and eventually receives a fortune from an unknown benefactor, leading him to believe this may be the key to finally gaining Estella's love and appreciation.




Beauty Influence

Many Victorian women's periodicals, such as fashion magazines, newspapers and monthlies for the upper-class women featured illustrations, portraits or reproductions of art emphasising the Victorian beauty ideals. These visual representations of beauty work independently or in cooperation with poetry as a source that women may purchase for their own imaginative use or for practical use in enhancing their own physical beauty, the poetry articulating female beauty ideals. British Victorian Women's Periodicals, Beauty, Civilisation and Poetry (Author Kathryn Ledbetter) 



'LET EVERY WOMAN AT ONCE UNDERSTAND 
THAT PAINT CAN DO NOTHING 
FOR THE MOUTH AND LIPS'
- LOLA MONTEZ

This quote from Lola Montez, for me, helps to represent the common opinion many, including Queen Victoria herself, harboured regarding makeup in the mid to late 18th century. The idea that makeup was seen as a product of the devil and encouraged a lack of morals rather than how it is thought of today - an art and talent used to enhance and highlight features as well as completely transform a person.

Tools of the Trade

PEARL POWDER
Victorians began lightening their skin by first applying lemon juice to the face, they would then use a small amount of pearl powder in order to create whiten their complexion further. The powder was made by dissolving seed pearls in acid and then turned into a solid using alkali. Although this was the most desirable product it was also the most expensive, leaving many unable to afford it, therefore a cheaper option was then made available which was prepared from mother-of-pearl (the shiny layer found on the inside of shells)  or oyster shells. The only problem with the use of this powder was that it created an unnatural sheen across the face.
There was one other powder used by the Victorians in order to whiten the face - Bismuth powder. At first it was considered a good imitation of the pearl powder, however it was very short lived as when it came into contact with sulphur fumes it turned black, drawing attention and embarrassing the wearer. In the later years of the Victorian era Zinc was also used which was considered to be less harmful and poisonous than some of the Victorian 'Chemists' previous concoctions.


ROUGE
There were several different products used by the Victorians in order to create pinker looking cheeks and lips. It was important for the rouge to look natural as any makeup too obvious and heavy was often associated with prostitutes and those with questionable morals. Due to the fear of being associated with these types of women some resorted to just pinching their cheeks and biting their lips in order to create a pinker/redder appearance. However for those who did use products, the items used to create this look varied from spanish wool to Chinese boxes. They also used mercuric sulfide as a lip reddener, however it later became apparent that this was extremely poisonous and caused the wearer to suffer from a number of different health conditions and reactions. However out of the variety of products available, the most desirable rouge was pure carmine - manufactured from cochineal.


ADDED EXTRAS
Mercuric sulfide was not the only poisonous product sold to the women of the Victorian era, their were also a variety of other makeup products, used mainly by prostitutes, which were unknowingly harmful to the wearer. The ladies of the night would wear eyeshadow concocted from lead and antimony sulfide, which would cause itching, redness and inflammation and eventually affected their eyesight as it seeped through the lid and into the eye.
Most Victorian women used the above products to represent what they defined as beauty, however their was also products used by both sexes in order to increase and improve appearance, one of which being eyebrow colouring.
In todays society we use eyebrow pencils to shape and define our eyebrows, however in the Victorian era a product was prepared using lamp-black (a black pigment made from soot) mixed with a form of cream and then applied using a brush made from camel's hair. 
This idea was used by both males and females - men to create a thicker more smouldering look to attract a wife, and women to outline, highlight and draw attention to their eyes.


'Fashion in Makeup from Ancient to Modern Times' Author - Richard Corson
http://bbeautiful4u.co.uk/tag/make-up-in-victorian-times/

Thursday 8 January 2015

Early Victorian Make up Ideals (1837 - 1860)

In the early years the victorians were not big fans of using cosmetics and instead used discreet methods in order to maintain 'natural beauty'. In an article found in Godey's Lady's book (1830-1898), the editor Sarah Josepha Hale shared some of her beauty tips with her readers, reporting that every night she applied brown paper soaked in vinegar to her temples. This remained on her face all night in order to keep the skin around the eyes and smooth any wrinkles that may appear. 
However another article found on cosmetics in The Penny Magazine (1838), reports a different view to cosmetics, suggesting to its readers that they should "impart a red colour to the cheeks" and "to whiten the others parts of the skin and neck".

(Fashions in MakeUp from ancient to modern times - Author: Richard Corson)

'the secret picture' (1843)
Sitter: Queen Victoria (age 24)
Artist: Franz Xaver Winterhalter

This portrait was painted for the eyes of her husband Albert  only as a present for his 24th birthday. The Queen was quoted as saying that the portrait was "‘my darling Albert’s favourite picture’. - quote from http://www.dailymail.co.uk/news/article-1220740/Victoria-beauty-queen-The-picture-gave-Albert.html